Category: Art

Art at the Whitney

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WHITNEY BIENNIAL.

The Whitney Biennial brings together works of art by a wide variety of artists (60+ this year, I believe), many of them young.  Most of the art is recent or new works and includes paintings, sculpture, and video.  Overall the art is strange, provocative, disturbing, and sometimes even realistic.  We did just one floor of this extensive exhibit and will have to return to see the rest.  Here are some samples of what we saw.

One section of a cube by Pope. L, you could walk into whose interior and exterior walls were all covered with these slices of bologna each one with the face of one individual Jew in New York.  Almost 2,800 of these slices representing a fraction of a percent of the Jews in the city.    Odd and slightly disturbing.

  Work by Jon Kessler

La Talaverita, Sunday Morning NY Times, 2016 by Aliza Nisenbaum

One of John Divola’s series of Abandoned Paintings.

Section of stained glass wall by Raul de Nieves.  In front of it were several life sized figures made of yard, fabric, beads and the like.

  Glimmer Glass, 2016 by Carrie Moyer

Rug, 2015 by Ulrike Muller

 

The Whitney’s outdoor terraces are a wonderful venue for large scale sculpture.  I was particularly taken with the series of red cubes within cubes graduated in the degree of transparency.  The sculptor is Larry Bell.  The header photo is another view of this captivating work.

Note:  All photos by JWFarrington.

UK: Town & Country

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This week we’ve seen two exhibits and made a short jaunt to visit friends in Dorset, Wareham to be specific.  We’re a short walk from the V&A Museum so that was an essential as was the featured exhibit at the Royal Academy.   Being in Dorset was being transported to another world, full of history and marked by heaths, ridges, flood plains, and even a castle.  Corfe Castle sitting high on a ridge in Corfe.  All lovely.

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FASHION AT THE V&A

The Victoria and Albert Museum has free exhibits and ones for which you must pay.  We decided to take advantage of one of the free ones.  It was a history of British fashion from about 1790 up through the ages to around 1970.  Mostly women’s clothing, but here and there examples of menswear.  It was fun to see the many layers women wore in the early years, so many that you wonder how ordinary women, as opposed to rich ones, could dress themselves.  Here are a few highlights that appealed to me.  You can probably guess which decade the later ones are from.img_1245 img_1246 img_1249

 

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ABSTRACT EXPRESSIONISM

The other exhibit we saw was “Abstract Expressionism” at the Royal Academy of Art, and it was superb!  A very detailed exploration of the movement with lots of attention paid to several of the biggest names, Gorky, Pollock, de Kooning and Rothko.  But also, we were introduced to Clyfford Still, an outsider in the movement whose work was really only seen by the public after his death in 1980.  The museum in Denver dedicated to his work owns ninety-five percent of it.  A westerner from North Dakota, his work shows the influence of those landscapes.  img_1285

I found the exhibit fascinating, appreciated Pollock’s work and impact in a new way, and loved the intimate display of seven of Rothko’s works in a smallish space–strange to say, I know, since the works themselves aren’t small.  But in this hanging, you can immerse yourself in the saturated color.  No photography allowed so I can’t share it with you, but, if you’re in London, do go!

Note:  All photos copyright JWFarrington (some rights reserved)

London Days

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Days two and three in London involved more walking (only one Tube round trip so far), an art exhibit and a long browse in one of my favorite bookshops.

ART

It was Sunday, the last day of the exhibit, and very foggy.  Like us, many like-minded folks streamed toward the Tate Modern for the Georgia O’Keefe retrospective.  For most people, O’Keefe evokes the thought of flower images and New Mexico.  But she was so much more than a flower painter.  img_1226 img_1227This exhibit traces her work from early abstracts through a brief New York phase (who knew she painted skyscrapers?) to summers in Lake George, NY (loved the simple straight lines of a green door and her presentation of foliage), to the landscapes and adobes of the Southwest and her fascination with skulls and bones (which she insisted did not mean death to her).  Even later, she painted several series of patios and flowery trees.  And, yes, the flowers are here; I’m partial to the poppies and, of course, the stunningly beautiful and beautifully composed white jimson weed!

We rented the multi-media guide (audio with photos of the works being discussed) which was excellent.  Commentary by various curators plus the voice of O’Keefe explaining her approach to her art.  I find that having an audio guide, particularly in a crowded exhibit, helps me focus even if it means I don’t stop and peruse every work.  [I saw no one taking photos of the art and so was hesitant to do so, only taking the above two photos.]

We had lunch in the museum restaurant on the 6th floor and were just ahead of the crowd.  Veal milanese with sauerkraut on the side and a very nice panfried hake with sautéed greens were our selections. img_1230 In keeping with the coloring craze, the table was covered with a mat to color and a glass of crayons.  A diversion for the adults as much as the kids.

BOOKS–HATCHARD’S

After lunch, we walked across the Millennium Bridge and along Sermon Lane to St. Paul’s Cathedral.  From there we took the Tube to Tottenham Court Road and then walked through Leicester Square, past Eros on Piccadilly, and onward.  Hatchard’s has been around since 1797 and is a very proper bookshop. It not only has three floors of books, but is carpeted, not blazingly lit, and offers some quiet nooks where one might sit.  Several years ago it was taken over by Waterstone’s and there are now some signs of that with more gifty items and notecards on the main floor which are nice, but, to me, detract from the seriousness of the place.

The extensive fiction section has been re-located to the second floor along with the largest array of crime novels I’ve seen anywhere.  And there’s an inviting sofa under the window on which one may alight.  Small tables with piles of books on them are staged throughout the entire store, each with a titled sign and then a quotation from some author’s work.  Strong suits are certainly British history and biography as well as the aforementioned fiction and the latest new titles.  We easily spent an hour and I left with a short novel by Tessa Hadley and a few more notecards for my collection.

All photos by JWFarrington; header photo is London Millennium Bridge

Manhattan Musings: Movies & Museums

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A week seeing Equity and Deepwater Horizon and visits to two museums. The abstract art by centenarian Carmen Herrera is bold, colorful and arresting.

FILM
Equity
Written, produced and directed by women, Equity, is a fascinating film about women on Wall Street and bringing an IPO to the trading floor. Starring are Anna Gunn as the seasoned older managing director, skilled, but tainted by a more recent failure, and Sarah Megan Thomas, as her up and coming vp who is better equipped to handle the Facebook-like founder of privacy company Cachet. Portrayed here are women with power and women admitting they like money along side the chicanery, manipulation, and cheating that is part of this financial milieu.  And unlike traditional films where good prevails and the bad guys get it, the ending may surprise you. Both the Chief Penguin and I liked this film and would recommend it. Later we learned that Sarah Thomas was one of our son’s high school classmates. For the record, she is very good.

Deepwater Horizon
While any reasonably aware person knows about the oil rig disaster that was the Deepwater Horizon in 2010, few of us can appreciate how horrific an event it was. If for no other reason than seeing the catastrophe develop and play out, this film is worth seeing. It is amazing to me that more men didn’t die. By choosing to focus on a couple of key players, the technician Mike Williams; Andrea, an operator in the control room and the only woman; and Jimmy Harrell, who is in charge and essentially “the captain” of the rig; the creators provide a strong emotional link for the viewer. Two BP execs are also on board; needless to say, they and the company do not come off well. Scenes of the engulfing fireball may haunt you, but I still recommend it.

ABSTRACT ART
The Whitney Museum of American Art is close by, and, as members, we can go as often as we like. Last week we explored the Carmen Herrera exhibit, “Lines of Sight.”  At 101, Ms. Herrera is still actively creating art and now getting some long overdue recognition. A Cuban immigrant and female, she was mostly overlooked during the 1950’s, 60’s and beyond until fairly recently. Her colorful geometric canvases make me think somewhat of Rothko and Jasper Johns. They are bold and bright and stunning in their simplicity. Here are a few samples.

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SPIRITUALISM
We also stopped into MOMA briefly, mostly to enjoy lunch in their café, but did spend a few minutes wandering in an exhibit of books, posters, clippings and other items relating to Fulton Oursler and the spiritualism movement.img_0666

Spiritualism attracted the likes of Arthur Conan Doyle, who wrote a book about the existence of fairies (based on some photos taken by two cousins which they decades later admitted were bogus), and even those who debunked it such as master magician Houdini.

 

 

 

 

 

Note:  All photos by JWFarrington