Category: Art

Maine Moments: Wyeth Family Art

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FARNSWORTH ART MUSEUM: PART 2

Three Generations of Wyeths

The Farnsworth Art Museum in Rockland is a center, along with the Brandywine River Museum in Chadds Ford, Pa., for the artwork of three generations of Wyeths.  A former church building houses almost exclusively Wyeth paintings and sculptures, while the contemporary building has a variety of different exhibits, often one highlighting one Wyeth or another.   

The featured exhibit this year is Jamie Wyeth Unsettled.  It’s a collection of his eerie, sometimes spooky, and outright ghoulish paintings from several decades.  I didn’t love this exhibit. Some images I found too graphic and very disturbing, but I’m including a few works I did appreciate.  

There’s also a small exhibit of abstract watercolors by Andrew Wyeth, father of Jamie and probably the most famous of the Wyeth threesome.

N. C. WYETH

In a separate exhibit of works associated with Maine, I was struck by an action-filled painting by the first Wyeth, Newell Convers, known as N. C.  He lived from 1882-1945 and was both a painter and an illustrator.  He illustrated a series of Scribner’s classics, and he is likely best known for that work.  Born, raised, and educated in art in Massachusetts, Wyeth then moved to Chadds Ford where he made his lifelong home.  

Cleaning Fish, N. C. Wyeth, 1933

There is so much suggested motion in this Port Clyde painting with the flock of birds surrounding the fisherman while he calmly guts the fish. I also like the soft light and the almost pastel colors.

JAMIE WYETH: HAUNTED, SUPERNATURAL, STRANGE

Julia on the Swing, J. Wyeth, 1999

Jamie Wyeth Unsettled is a large exhibit divided into three sections.  They are “Strangers and Specters,” “Haunted Places and Disturbing Spaces,” and “The Natural and Supernatural Worlds.”  Paintings of indoor places and outdoor spaces are sometimes eerie or suggest imprisonment. In others, Wyeth uses bones to depict grotesque scenes, and in still another, an uprooted tree appears distorted into something threatening, possibly evil.  It’s a strange collection overall.

Gull and Windsor, J. Wyeth 1993
Farm Talk, J. Wyeth, 2016
Lightning Struck, J. Wyeth 1975

ANDREW WYETH:  WATERCOLOR STUDIES

Unseen Andrew Wyeth is a small selection of abstract watercolors, a stark contrast to the Jamie Wyeth exhibit.  These have never been displayed before and show Wyeth working with shapes and moods in blacks and browns primarily.  Some of these pieces were studies for later paintings, but not all of them.  For such a representational painter as Andrew Wyeth was, these works show a different side of his aesthetic.  Here are two of them I found striking.

Fog & White Dory Study, A. Wyeth 1941
Untitled, A. Wyeth

SUSTENANCE: MIDCOAST DINING IN ROCKLAND

WATERWORKS RESTAURANT

After an intense morning of art, where does one eat lunch?  We used to have a favorite corner grill that produced a good lobster roll, but it closed and became a cannabis shop.  Other places we’d tried after that were just ordinary.  This time I did some research and discovered WaterWorks on a side street not far from the Farnsworth.

Casual and attractive with lots of tables and a bar, WaterWorks delivered an excellent cup of clam chowder (one of the best we’ve had!) followed by tasty, not greasy, cheese and chicken quesadillas.  It was a delicious lunch and just what we needed.  Recommended!

Note: Header photo is of the painting, Boothbay Harbor by Edward Redfield, 1937. All photos taken by JWFarrington (some rights reserved.)

Maine Moments: Art & Drama

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FARNSWORTH ART MUSEUM: PART 1

The Farnsworth Art Museum is in Rockland around two hours north of Portland.  It’s noted for its extensive collection of works by three generations of the Wyeth family and its focus on Maine and artists working in Maine.  The Chief Penguin and I visit this museum annually; this time our motivation was a new exhibit of Jamie Wyeth’s work, but more about that exhibit in a future blog post.

This week we enjoyed Magwintegwak: A Legacy of Penobscot Basketry, were impressed by Louise Nevelson’s paintings and sculpture, and were introduced to a tsunami of color in Lynne Drexler’s recently restored pieces, Color Notes, Paintings from 1959-1969.

WABANAKI BASKETS

The Penobscot Indian Island Reservation, informally known as Indian Island, was the site of basket weaving going back to 1800. North of Rockland along the Penobscot River, part of it extends to Bangor.  Wabanaki weavers here made a variety of baskets for daily life as well as more decorative artistic ones.  For many years, they set up basket-selling tents on well-traveled routes and sold their handmade creations to tourists and others. Their baskets were, and still are, generally made of brown ash and lovely fragrant sweetgrass.  

Curly bowl Penobscot basket, 1920
Glowing Sunset Carrabbassett, Sarah Sockbeson, 2011

Robert Anderson spent much of his life collecting and documenting the basketry of these Penobscot weavers, learning from his grandparents Leo and Florence Shay and from successive generations of weavers.  It’s thanks to his legacy that this exhibit was possible.  The Wabanaki also made miniature baskets to use or to show off their skills.

Strawberry, blueberry & pumpkin miniatures

LOUISE NEVELSON: SCULPTOR & PAINTER

Child from a collection, Nevelson

Louise Nevelson was born in Ukraine, but grew up in Rockland after her parents emigrated.  Years later, she was astonished and delighted to discover this wonderful art museum in her small hometown.  She donated many of her works to the Farnsworth, and this exhibit is just a sample from the collection.

I liked the small black figures and also her two self portraits. She favored black for virtually all of her sculpted work, but later she created an elaborate and monumental wedding piece in white. The Farnsworth owns one column from it.

Woman with a Red Scarf, self portrait, 1947

COLOR NOTES: “I COULD ALWAYS FIND THE COLOR”

Lynne Drexler (1928-1999) was considered a second-generation Abstract Expressionist whose work was influenced by time spent in Hawaii, California, and Mexico.  She created with colored chalk, crayons, paint, and colored pencils. Later in her life, she lived like a hermit on Monhegan Island. Years after her death, this little known artist’s paintings sold for more than a million dollars.

Shimmering Rays

Some of her works use different materials that make the colors pop and look alive like this vibrant study in pinks, greens, and lavender.

Untitled, Lynne Drexler

WATCHING: SPANISH SOAP

Betrayal (PBS Passport)

Roberto backed by mother and siblings (rmpbs.org)

Passport offerings curated by Walter Presents are generally very good.  I’m less sure about Betrayal, although the Chief Penguin and I seem to be committed enough to keep watching.  We have completed six of the eight episodes.

Influential, well-connected attorney Julio Fuentes and his firm were close to merging with a UK law firm when he died suddenly.  His family—widow, three daughters, and one son—are in disarray when his death is ruled a murder and when another son, Carlos, unknown to them, shows up. 

Emotions in this group run high with shouting, angry outbursts, and hasty actions.  Son Roberto wants to divorce his wife and has another woman; brother-in-law Victor, the firm’s financial manager, has personal money troubles; and sister Almudena’s son Sergio is suspicious of his stepfather’s behavior and believes he’s lying to his mother.  Meanwhile matriarch Pilar works mightily to control everyone’s actions to her bidding.  

This is just a sampling of the layers of complexity, the lies, and the secrets.  Who is betraying whom or how many betrayals are there?  And who killed Julio Fuentes?  Overall, the plot is less than convincing, the characters lack depth, and yet we keep tuning in!  In Castilian Spanish with English subtitles.

Note: Header photo is a point basket by Ganessa Frey, 2006. Unattributed photos by JWFarrington (some rights reserved.)

Carolina Capers: Reading & Art

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From Unravelling the Threads by Vera Weinfield

RECENT READING—D DAY

June 6th this week marked the 80th anniversary of D-Day when Allied troops landed on the Normandy Beaches and changed the outcome of the war.  Two recent novels I’ve just completed are concerned with the Holocaust.  One is set in France and has been a bestseller in France and Europe, and the other is set in Italy.  

The Postcard by Anne Berest

Author Berest (Wikipedia.com)

French novelist and writer Anne Berest was intrigued by a postcard her mother, Lelia, a noted scholar, received in 2003.  Written on the card in an unfamiliar hand were the names of four members of their extended family, Lelia’s grandparents and her aunt and uncle, all of whom were deported and killed in the concentration camps.  With her mother’s assistance, Berest goes on the hunt to find out who wrote and mailed the card and to learn more about her great grandparents, Ephraim and Emma, and her great aunt Noemie and her great uncle Jacques.  

Although the work is a novel or autobiographical fiction, it reads like nonfiction since so much of it is factual.  Berest does, however, create dialogue and flesh out situations based on the archival information the two women discover.  Central to the story is Myriam, Ephraim and Emma’s oldest child, and Leila’s mother.  Myriam survived the war and Anne Berest knew her and visited her in Provence as a child.  

The book goes back and forth in time and is an absorbing and poignant journey into family history as daughter and mother share experiences, but don’t always agree on what should be pursued or what is too painful to revisit.  The book is translated from the French.  Highly recommended!  (~JWFarrington)

Our Darkest Night by Jennifer Robson

Robson (Amazon.com)

The Postcard, published in 2023 in English, was on my summer reading list.  Having finished it on my Kindle, I discovered this related novel by Canadian author Jennifer Robson.  Robson’s historical novel portrays the experiences of one Jewish woman, Nina, taken into hiding by a Catholic family in 1942.  

Nina’s physician father is determined that she should be protected and makes arrangements with a friend. Having enjoyed a comfortable and sheltered childhood in Venice, Nina must now masquerade as farmer Nico’s wife. She earns her place in his family through hard work on their farm, but later is arrested, beaten, and transported to a camp in Poland. 

Nina is a fictional character, but her story was partly inspired by Robson’s son asking whether it was true that his Italian grandparents had hidden Jews during the war.  Robson’s novel reflects the extraordinary amount of research she did about real events—massacres, hangings, deportations—and is both graphic and extremely compelling.  It is a fitting companion to Berest’s book, and I recommend it. (~JWFarrington)

READERS’ RECOMMENTATIONS

Our Swedish friend is deep into Fresh Water for Flowers by Valerie Perrin and calls it a must read.  It’s translated from the French and was a bestseller all over Europe.  I read it in 2022 (see blog of 4/3/22) and found it slow to get into and then fascinating and memorable.

(amazon.com)

The Chief Penguin’s Colorado cousin belongs to an international book club which meets every other month. She shared their 2024 list.  Two titles on it are:  The Covenant of Water by Abraham Verghese and River Sing Me Home, a historical novel about a mother’s journey to find her stolen children.    

ART OUTING

CAM Raleigh

From Samantha Everette’s Crowning Glory

The Contemporary Art Museum (CAM) is located in downtown Raleigh in a former produce storage building in the Warehouse District. Opened in 2011, it’s a non-collecting museum that offers bold and innovative exhibits from local and national contemporary artists as well as educational programming.  

On a recent visit, I surveyed a photographic study of Black women and hair, Crowning Glory, an exhibit of UNC-Chapel Hill MFA student thesis projects, and a collection of works from emerging artists in rural Robeson County, part of a project called CAMERA.  Overall, a wide diversity of styles and media here. Shown at the very top, the Vera Weinfield collage is one of her thesis works on Jewish identity.

Joyful Mysteries
Collage by Molly English (UNC MFA student)
Detail, Cleft, by Jeffrey Geller

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Note: All unattributed photos ©JWFarrington (some rights reserved.)

Header painting is Still by S. K. Chavis-Bullard.

Manhattan: Colorful Art & Tempting Turkish Fare

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ART:  THE HARLEM RENAISSANCE 

Street Life, Harlem, ca. 1939-40, William H. Johnson

The Metropolitan Museum of Art’s retrospective, The Harlem Renaissance and Transatlantic Modernism, is a stunning exhibit of African American paintings from the 1920’s, 30’s and 40’s. These years in New York and elsewhere brought forth a revival of interest in African American art, literature, and music.  This exhibit is a celebration of Blacks portrayed on canvas.  

The colors are often bright and bold, human figures are occasionally flat, and some paintings are individual portraits.  There are also groups enjoying cocktails, dancing, or just hanging out. Many artists are represented, but Archibald Motley Jr., and William H. Johnson figure prominently.  I liked the dressiness and the larger than life appearance of the couple in Johnson’s Street Life above.  Here are a few other favorites, such as this jitterbugging couple.

Jitterbugs V, ca. 1941-42, Johnson

African American women were often depicted as the New Negro Woman. Very dark, almost defiant, always feminine, and beautiful. I like Alston’s strong female below. Also Motley’s stylish women socializing over drinks.

Girl in a Red Dress, 1934, Charles H. Alston
Cocktails, ca. 1926, Archibald J. Motley Jr.

The exhibit also includes portraits of famous people like the poet Langston Hughes and this one of a statuesque Marian Anderson.

Anderson, by Laura Wheeler Waring, 1944

Variations in Black skin tones were also evident in some works. Laura Wheeler Waring makes starkly clear the difference in a racially mixed family in the following piece.

Mother and Daughter, 1927, L. W. Waring

There is much to see and appreciate in this exhibit, and it runs through July 28th. Highly recommended!

MEDITERRANEAN CUISINE

Sea Salt (Upper East Side)

With pink blooms surrounding its entrance, it’s hard to miss Sea Salt on 1st Avenue.  This Turkish/Greek bar and grill has been open for about three years, but this was our first visit.  The space is light and attractive, and the staff gave us a warm welcome.  

Sea Salt interior

For dinner, we began with fried calamari rings dusted with oregano with an aioli sauce on the side for dipping.  Nicely crisp.  For mains, the Chief Penguin tried the lamb kebab with rice and greens, while I ordered the whole branzino with lemon and capers.  The lamb was lightly spiced while the branzino was delicately delicious.  Specialty cocktails and wines by the glass are also on offer. 

Branzino at Sea Salt

On a second visit, we sampled the Greek salad (lovely and fresh), manti (mini dumplings with beef in a yogurt-based sauce), and adana kebab (spiced ground lamb patties) with rice.  Sea Salt is well on its way to being a personal favorite!

Note: Header photo is Mom and Dad, 1944 by William H. Johnson. All photos ©JWFarrington (some rights reserved.)