Down Under: Auckland Pt. 2

AUCKLAND DAY 2

Last evening we had a very early bite to eat at the Occidental Belgian Beer Café, a rustic dark wood place with a long bar and lots of low and high tables. The menu had many options for mussels (green-lipped ones very popular here) with a variety of sauces, and of course, Belgian frites with mayonnaise plus a selection of small plates and mains. Being quite zonked by this point, we decided on the mixed olives with feta cubes (deliciously spiced), chicken croquettes, and, of course, a cone of fries, accompanied by some NZ wines.

Our boutique hotel is charming with just 25 rooms and a zippy décor with brightly colored furniture and a carpet with wide bright stripes. The staff is exceedingly pleasant and helpful and our room quiet.

But the wi-fi speed is abysmally slow so we’ve become part of the café culture.

This morning we sat in the lovely, spacious, and quite elegant Gloria Jean’s near the University of Auckland; we returned after lunch for more coffee and tea and more good wi-fi. For the record, we went back to the Occidental for lunch–this time smoked salmon for the Chief Penguin and their Caesar salad with chicken for me.

The Auckland Art Gallery is at the top of a hill near Albert Park and combines a beautiful old building with great detailing with a new sleek contemporary addition. In some ways, seeing the building was as impressive and enjoyable as viewing the art. We checked out the gallery of Maori portraits of tribal chieftains all painted by one man, Charles Frederick Goldie, and found them fascinating,    

We also toured another exhibit, “Paris and the Future of Art” with works by artists from around the world including a couple with Kiwi connections. I particularly liked Duncan Grant’s portrait of a pregnant Vanessa Bell and New Zealand painter Gretchen Albrecht’s “Dervish” in strong red and orange.

John Nixon’s simple bold graphics were the focus of an exhibit in the new building and they were exhibited on walls painted in the deep bright bold colors he employed in his paintings.  

Header photo is of the flower clock in Albert Park.  In 1994 the Chief Penguin’s parents spent 7 week’s in New Zealand and Australia.  His father kept a journal and so we know they looked at this clock too then.

All photos by JWFarrington except The Occidental (from their website)

 

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