October Potpourri: Films & Fun

Walking

We have been blessed with continued good weather. This translates to lots of walking and plenty of time outside. Recently, we walked from the West Village to the World Trade Center and back—a serious walk. It was pleasantly breezy and we joined the throng strolling along the grand boulevard along the Hudson River looking toward Hoboken. We hadn’t planned ahead to tour the 9/11 Museum, but did gaze up at the gleaming new tower and spend some moments taking in the memorial park. On another gorgeous afternoon, we romped at Adrienne’s Garden and then the Washington Square playground. I say romped, but actually our granddaughter romped, and I got my exercise following her around and occasionally going up, under or around the play equipment.

 

IMG_7661

IMG_7640IMG_7636Somewhat to my surprise, pumpkins are widely in evidence in the city. Stoops are lined with pumpkins, doorways are festooned with cobwebs, and witches lurk while scarecrows watch. Halloween can’t be far off.

 

 

 

 

 

IMG_7651IMG_7650Even dogs get in the act!  Sunday was the annual Halloween Dog Parade—dogs in costume in Tompkins Park. Dogs in sweats, dogs in hats, dogs with frills and dogs masquerading as dinosaurs. This being the city, mostly little dogs. What fun!

 

 

 

 

 

 

 

Music

Besides all this outdoor time, we did see two films and attended a superb performance by Italian pianist Maurizio Pollini, one of the greats, at Carnegie Hall. He played three Beethoven sonatas including my longtime favorite, “Appassionata.” We were part of a most enthusiastic and appreciative audience, and he gave us three encores!

Film

A Ballerina’s Tale details Misty Copeland’s career from starting ballet at 13 to being named a principal at American Ballet Theatre this past summer. Interwoven with her story of determination midst setbacks is a brief history of ballet and some of the reasons behind its extreme whiteness. Interviews with Misty’s advocates and mentors add perspective along with comments from some pioneer black dancers. And, of course, there are wonderful sequences of Misty performing as well as rehearsing. Even my husband, somewhat doubtful about this film, was thoroughly engaged. A nice pairing with Astonish Me, a novel I blogged about several weeks ago.

Steve Jobs. Jobs looms larger than life in most people’s minds and certainly was a creative genius who dreamed big and ultimately achieved in a big way. Adopted as a child, he didn’t expect to be liked. As a parent, he was alternately estranged from and dismissive of his daughter Lisa. He was not a nice man and this film shows him bossing, bullying and often being downright nasty to friends and colleagues. Whether or not it is an accurate portrayal (and several critics have said it is not), it is a very entertaining film which focuses on the activity leading up to the launches of the Macintosh, NeXT, and iMac.   Michael Fassbender is compelling as Jobs, and Kate Winslet is tough, supportive, and strong as his right hand woman. She portrays Joanne Hoffman, the smart director of marketing who stands up to his temper and rigorously manages him.

 

(All photos by the author. Some rights reserved.)

Manhattan Month: Film & Food

CINEMA

Continuing our German theme of last week, we went to see Labyrinth of Lies, a subtitled German film about bringing those who perpetrated crimes at Auschwitz to trial. This trial, held in Germany itself, is probably one most Americans don’t know about.  Even though I was barely a teen. I certainly remember when Adolf Eichmann’s trial ended with guilty on all counts.  This movie details the investigation leading up to a later trial of a number of individuals who committed crimes in the Auschwitz camp. The young investigator/prosecutor is dogged and relentless in his quest until he learns truths close to home that threaten to derail his pursuit of justice. Or, if not justice, then giving the survivors, those still living victims of the Nazis’ atrocities, the opportunity to tell their stories. This is a well-made film and depicts the German government’s resistance to exposure and society’s desire to keep this travesty deeply buried. Definitely worth seeing.

On Monday, we did back-to-back movies—nothing like getting to the new films right after they open. I think Spielberg’s Bridge of Spies is well done, but could have been better paced. The opening scene was too long and there were points farther on when the editing could have been tighter without sacrificing anything. That said, Mark Rylance is marvelous as Abel, the Russian painter spy of few words (one of those times when you like the “bad guy”).  Tom Hanks is appropriately serious and committed as the lawyer who defends him and then works to negotiate an exchange for Gary Francis Powers. I recall the newspaper headlines when Powers’ U-2 plane was shot down, but had not remembered the details of his release.  For us, this film resonated on another level from our having been in Berlin just a year ago and having visited the Topography of Terror museum and Checkpoint Charlie.

The second film was Truth starring Cate Blanchett and Robert Redford—very gratifying to see a woman with the leading role!  She plays Mary Mapes, the producer  who worked closely with Dan Rather on stories for the CBS Evening News and 60 Minutes. Rather is played by Robert Redford, some might say convincingly, but I kept seeing Redford himself. This is an account, based on a book by Mapes, of the production of the news story about George W. Bush’s service in the National Guard and the ensuing controversy over the documents and then CBS’s subsequent internal investigation. Like Bridge of Spies, Truth raises questions of values, of individual integrity versus government/corporate pressure, and what organizations do to save face. Whether you accept this version of the truth or not, it’s an engrossing film.  Cate Blanchett deserves to be nominated for an Academy award.

LECTURELESS LUNCH

Yesterday we headed to the University Club for lunch and a talk by Barney Frank. A stack of books, his latest one, was for sale on a table by the door. We hesitated, but did not stop. This event sold out several weeks ago, we were told, and we were eagerly anticipating hearing him. Lunch was lovely—micro greens and a stack of veggie rounds with goat cheese followed by a tasty chicken breast in mushroom sauce over polenta with some sautéed spinach. Dessert was a respectable crème brulee. We enjoyed getting acquainted with our table mates, two Brits with whom we talked politics and traded restaurant and viewing recommendations, and a threesome from Westchester, an elderly couple and their widowed friend.

Lunch proceeded and it was then almost one o’clock; a man got up to say that Barney Frank was expected. Finally at 1:20 or so, another gentleman, the chair of the lectures committee, rose to tell the audience that he had no idea where Rep. Frank was. He listed all the contact and cell numbers he had for Mr. Frank’s assistants and arrangers and reported he had tried them all without getting any answer. No Barney Frank, so we were formally dismissed. We did wonder if he just forgot us or if something more serious had happened. Oh, well.

FOOD NOTES

It was cool to cold the other day, only 50 degrees with a stiff wind. which meant that lunch called for soup, quite a tasty chicken vegetable from Gourmet Garage. We ate dinner in also—some hearty, but light, meatballs in marinara sauce from Citarella. This was after we spent a bracing half hour at the playground with our granddaughter and daughter-in-law and the other grandmother, recently returned from a trip to Ireland. One of the joys of New York is the ready availability of quality takeout items. No need to cook unless you really, really feel the need!

What makes a French bistro French? Hard to answer, other than being in France. But, here in the West Village, Le Gigot fills the bill. It was warm inside, felt cozy, and there was the fragrant aroma of garlic in the air. Tables are very close together (this is Manhattan where real estate is dear), and you can eavesdrop or even, as we did, engage your neighbors in conversation. (They were a couple about our age from New Jersey who have two grandsons in the city.)

Our meal was just about perfect. I sampled the spinach soup (a special of the day, essence of spinach with just a hint of cream), and my spouse loved his pate which was prettily presented on a plate with mustard, sliced gherkins, bits of carrot, and caramelized onions. Toasts on the side. Our main courses were equally satisfying: I had the chicken with perfectly crisped skin served with a mix of veggies (nicely seasoned) and potato gratin while he enjoyed his duck confit. He was into serious comfort food! Everything here worked and we look forward to a return visit this month or later in the year!

Header image:  Redford and Blanchett in Truth (www.hdvietnam.com)

Culture Notes: Monet, Murder & Identity

Sometimes one comes upon the most enjoyable books or movies by happenstance and other times it’s on the recommendation of a friend.

While I was in Philadelphia at the Barnes Foundation, I picked up a novel about Claude Monet called, Claude & Camille by Stephanie Cowell. Published in 2010, it’s a fascinating portrait of Monet’s early life with his wife Camille and the close friendships between him and Renoir, Pissarro, and particularly Frederic Bazille. These Impressionists (only dubbed so later on) worked against tradition and, hence, their works were unpopular and frequently did not sell.

Monet and Camille lived hand-to-mouth while he refused to take on any kind of normal job and she periodically worked to provide some limited funds. They regularly depended upon the kindness of friends, most often Bazille whose family had money. Add in Camille’s unstable temperament and Claude’s frequent absences and you have lives fraught with tension and distance. Success was slow in coming.

Cowell’s novel is historically based, but with a novelist’s license she has elaborated on the relationship between Camille and the other artists. Cowell also captures, some might say lovingly, the process of putting paint to canvas and creating color and light. One knows precisely which paintings they are without her ever giving the reader their titles.

A friend gave me a copy of a mystery she and a colleague co-authored. Set in Bethlehem, founded in 1741 and now a charming city in Pennsylvania’s Lehigh Valley, The Body in the Vat: Tales from the Tannery by Charlene Donchez Mowers and Carol A. Reifinger is light fare, short and fun. It will appeal to anyone who knows the city (lots of familiar venues from the Colonial Industrial Quarter to the Moravian Book Shop) and to others curious to learn more about Bethlehem’s Moravian heritage.  Proceeds are being shared with Historic Bethlehem Museums & Sites and the 275th Anniversary Committee of Moravians in Bethlehem.

Another friend recommended that we see Phoenix and we were not disappointed. This is a seriously good, serious German film about identity and betrayal and the heart. Getting out of the concentration camp after the war, damaged physically and emotionally, Nelly needs reconstructive surgery on her face. Although pressured to have a new look, she asks to look like she did before. After surgery, she sets out to find her husband who does not recognize her. Practicing with him to become herself, she embarks on a journey that is both disturbing and poignant. Who are we really? What is it that marks our unique identity? And why do we continue to trust in the face of betrayal? Dark and haunting, this is a film that lingers long after the last credit has rolled.

Header photo:  Monet’s Springtime (1872) from Google art project.jpg

West Village Rambles: Food for Body & Mind

Since our arrival in Manhattan a week ago, we have spent considerable time with our delightful granddaughter, but we’ve also been walking and exploring, making a bit of the West Village our own. And walk we do—one day we did two long walks for a grand total of 25,000 steps. A new record!

For us, much of life revolves around food and, consequently, we are sampling cheese and deli items from Murray’s Cheese and Gourmet Garage, braving the bustle that is Eataly, and dining at restaurants new to us.

Some recent standouts of cuisine are the following:

Via Carota. This casual Italian place draws from all regions of Italy, has a comfortable vibe and at night is very lively. We had lunch here our first day—a yummy lemon risotto and a  plate of gnocchi with a piquant gorgonzola sauce—and liked it so much we returned that night for dinner. This meal, we shared some grilled artichokes (slightly and appropriately charred) and also grilled chicken with a lemon vinaigrette. All with some good white wine by the glass. Just perfect!

www.thenewpotato.com
Via Carota (www.thenewpotato.com)

 

 

 

 

 

 

Gloo. This is a new French bistro, only  open a month or so, on Carmine Street and hasn’t really been discovered. We were its first Open Table reservation. The owner is from France and has several restaurants there, but this is his first U.S. venture. The space is small with a quiet ambiance.  I loved the upside down tomato tart to start (very pretty, looking somewhat like stacked red grapefruit sections) followed by a very satisfying boneless chicken breast in a cream sauce with small mushrooms served alongside mashed potatoes. Hard not to savor this comfort food!

Casa. A Brazilian eatery on Bedford Street, Casa has a small bar, about a dozen tables, and a mullioned window wall. Our entrees were excellent—fish fillet with lemon caper sauce and a slightly spicy, herby tomato stew of chicken and shrimp —both served with rice. My only advice, if you’re over fifty, go early! There are only hard surfaces and the noise level after 7:30 made conversation hopeless.

Casa (www.pinterest.com)
Casa (www.pinterest.com)

 

 

 

 

 

 

 

Culture Notes

On Thursday, we were at one of the first performances of Therese Raquin, a play based on Emile Zola’s novel of the same name ,and starring Keira Knightley. (The preview the night before had been cancelled due to Knightley having suffered a minor injury.) The set was minimal and the staging stark, but very effective given the themes of passion and guilt. Knightley as Therese was excellent as the seemingly meek and docile wife who later exhibits extreme passion and emotion. The supporting cast was also very good, especially Matt Ryan as her lover, Laurent, and Judith Light as her mother-in-law.

I really enjoyed Lily Tomlin in “Grace and Frankie” and today seeing her in Grandma, I thought she was fabulous. Playing Elle, a grieving, unemployed academic who is angry at most everyone and everything and demonstrates it, Tomlin takes on the challenge of helping her pregnant granddaughter Sage (played by the radiant Julia Garner) when she unexpectedly shows up. The film is an odyssey of visits to Elle’s past lives—old friends and acquaintances and old loves—that culminates in some touchingly funny and poignant scenes between grandmother, daughter, and granddaughter. (I loved seeing the career-driven daughter on her treadmill desk.) Each of these women is strong in her own way. Not a perfect film, but one with sharpness, wit, and heart. Rated R, partly for the strong language.

 

Cover image: www.everettpotter.com