Winding Up New York: Mostly Food & Film

For our last week in Manhattan, we sampled a few new restaurants and took in one more film.  We also had the pleasure of taking our granddaughter to pre-school one morning, more afternoon time at the playground plus a Friday night family dinner at Mario Batali’s super kid-friendly restaurant, Otto.  They have pizza and pasta dishes to please every palate.  Lastly, a visit to the new Whitney Museum.  More about that in a future blog.

Eating (A few more West Village spots)

I Sodi.  An early entrant on the West Village restaurant scene, this tight small space, bar on one wall and tables on the other, is wildly popular and deservedly so.  Their sage and ricotta ravioli were divine and the splayed Cornish hen grilled under a brick straightforwardly good.  The orange tart with chocolate gelato was the perfect finish.

Po.  A small Italian place, not as cramped as I Sodi, but equally good on the food.  Service here is polished and friendly and everything a notch up from some other small restaurants. Duck ragu over long pasta and the linguine con vongole were both superb as was the beautifully presented goat cheese tartuffo over slivered endive and radicchio.  Reservations here are accepted 30 days in advance; we got in the same day only because of a phone cancellation moments before!  Beginners luck, you might say!

Piadina. Another West Village cozy Italian dining spot with a slight tilt toward seafood.  The sole accompanied by broccoli rabe and slivered endive with cherry tomatoes was lovely. Short menu and friendly staff.  Cash only.

Malatesta. This became our neighborhood hangout where we ate three times!  Crowded, noisy, and very popular, with indoor and sidewalk seating.  We liked their homemade pastas and the salads. Go early for a seat inside and remember they too only take cash!  Strange to me in this age of cards for everything, but there’s an ATM 2 doors away.

Watching

The Martian.  Space movies are not my usual cup of tea, but I was persuaded to see this one and was glad I did.  From the opening scenes, I was captivated.  We paid the extra for the 3D glasses which put you right in the red Mars scape, but the film would still be good without them.

It is an intelligent film that portrays astronauts who are well trained and who think creatively.  Matt Damon, as Mark Watney, dominates the screen with his amazing ingenuity coupled with a nice guyness, a sense of humor and a let’s get on with it can-do attitude. Combined they make his dire situation bearable and engaging for the audience.  The crew who unknowingly leave him behind alive are a dedicated and perhaps unbelievably harmonious team.  Note that the mission commander is a woman, Capt. Lewis, played by Jessica Chastain.  The technology that Watney, the crew, and the ground staff have at their disposal is impressive, but it is still nail biting time as the days pass by and a rescue has not yet happened.  As a viewer, I knew what the ending had to be, but it’s a long tense time getting there.  See it!

Reading

Not My Father’s Son by Alan Cumming.  I have enjoyed watching Cumming as the manipulative Eli Gold onThe Good Wife,” am bemused at his dramatic way of introducing “Masterpiece Mystery,” and had known a bit about his other acting roles and that he performed at Feinstein’s in New York.

I found this, his memoir of his childhood and what he learned about his absent maternal grandfather and his father, a searing read.  He is honest and brave and unstinting in his portrayal of his more vulnerable, injured self.  Severely abused both physically and emotionally by his father, it’s a testament to his own spirit and to his mother’s love that he was able to emerge in middle age relatively whole and intact.  I got so caught up that I read it through in less than a day.  And, by the way, Cumming is a very good writer—graceful and nuanced, even when describing awful events.

Header photo:  www.kimberlybelle.com

Culture Notes: Monet, Murder & Identity

Sometimes one comes upon the most enjoyable books or movies by happenstance and other times it’s on the recommendation of a friend.

While I was in Philadelphia at the Barnes Foundation, I picked up a novel about Claude Monet called, Claude & Camille by Stephanie Cowell. Published in 2010, it’s a fascinating portrait of Monet’s early life with his wife Camille and the close friendships between him and Renoir, Pissarro, and particularly Frederic Bazille. These Impressionists (only dubbed so later on) worked against tradition and, hence, their works were unpopular and frequently did not sell.

Monet and Camille lived hand-to-mouth while he refused to take on any kind of normal job and she periodically worked to provide some limited funds. They regularly depended upon the kindness of friends, most often Bazille whose family had money. Add in Camille’s unstable temperament and Claude’s frequent absences and you have lives fraught with tension and distance. Success was slow in coming.

Cowell’s novel is historically based, but with a novelist’s license she has elaborated on the relationship between Camille and the other artists. Cowell also captures, some might say lovingly, the process of putting paint to canvas and creating color and light. One knows precisely which paintings they are without her ever giving the reader their titles.

A friend gave me a copy of a mystery she and a colleague co-authored. Set in Bethlehem, founded in 1741 and now a charming city in Pennsylvania’s Lehigh Valley, The Body in the Vat: Tales from the Tannery by Charlene Donchez Mowers and Carol A. Reifinger is light fare, short and fun. It will appeal to anyone who knows the city (lots of familiar venues from the Colonial Industrial Quarter to the Moravian Book Shop) and to others curious to learn more about Bethlehem’s Moravian heritage.  Proceeds are being shared with Historic Bethlehem Museums & Sites and the 275th Anniversary Committee of Moravians in Bethlehem.

Another friend recommended that we see Phoenix and we were not disappointed. This is a seriously good, serious German film about identity and betrayal and the heart. Getting out of the concentration camp after the war, damaged physically and emotionally, Nelly needs reconstructive surgery on her face. Although pressured to have a new look, she asks to look like she did before. After surgery, she sets out to find her husband who does not recognize her. Practicing with him to become herself, she embarks on a journey that is both disturbing and poignant. Who are we really? What is it that marks our unique identity? And why do we continue to trust in the face of betrayal? Dark and haunting, this is a film that lingers long after the last credit has rolled.

Header photo:  Monet’s Springtime (1872) from Google art project.jpg

Booknote: Dance & Detectives

 

Since I’m traveling, my reading gets a bit neglected, but here are two recent book recommendations I’m happy to share.

Astonish Me by Maggie Shipstead. Shipstead is the author of Seating Arrangements and this is her second novel. It takes the reader into the somewhat cloistered world of ballet. The main character is Joan, who had a short-lived career as a ballerina and then left when she realized she wasn’t good enough. She marries and raises a son. Her compatriot Sandy with whom Joan has a somewhat ambivalent relationship, makes a career as a dancer. Added to this mix is a Russian dancer whom Joan helped to defect. Stir in some other complex relationships—that of Joan with her husband and son and that of Joan and Sandy with the defected dancer and you have lots of interplay. I liked this book the farther along I got and had figured out the “surprise” revelation.

To Dwell in Darkness by Deborah Crombie. This latest mystery is one of Crombie’s best in my opinion. Very up-to-the-minute with its themes of environmental activism and potential terrorist threats, it brings together British detectives Gemma Jones and Duncan Kincaid and several of their colleagues from earlier books to solve two crimes. When a protest in the busy St. Pancras train station results in an unexpected death, there are questions of suicide, murder, an unintended victim, and multiple threads to unravel. What I especially like about Crombie’s mysteries is that even the secondary characters (the other detectives, for example, and Jones and Kincaid’s children) are well fleshed out and you get a portrayal of the daily life of these people when they are not tracking down or interviewing a suspect.

Booknote: Voyages

My most recent reading was an intriguing novel about a ship voyage. This book reminded me of other titles about journeys of various sorts.

18th Century French Expedition

Landfalls, a first novel from Naomi J. Williams, is marvelous and inventive.  Williams takes as her subject the doomed expedition of two French frigates, Boussole and Astrolabe, which set sail in 1785 to circle the globe and discover new lands and new species. As the title aptly suggests, the chapters are more about the places Laperouse and his crew anchor and visit than their sea voyage.  Williams has done an incredible amount of research into the historical facts, but her novel is as much or more about the inner journeys of selected crew members and the ship captains, Count de Laperouse and Viscount de Langle, and their encounters with the natives in Chile, Alaska, and the South Pacific.

There is tenderness and wit mixed with loneliness and grief. The piling up of points of view of the savants (naturalists on board) and other crew members and, occasionally, of those left behind, adds texture, variety and richness to what in a lesser author might have been a more straightforward account.

Science & Nature

Sir Joseph Banks puts in an appearance in Landfalls, and there are also references to Captain Cook’s famous earlier voyage. These men brought to mind two other works I have enjoyed: Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science, a nonfiction study by Richard Holmes, and Elizabeth Gilbert’s voluminous novel about an early female botanist, The Signature of All Things.  Each in its way has something to say about the joy of discovery and the thrill of the quest.

Other Voyages

Voyages can be physical ones or emotional, interior ones. Two favorite books are a novel by Deborah Weisgall and a memoir by Sarah Saffian.  Weisgall’s The World Before Her takes us to Venice for the story of two marriages colored by art, one that of Marian Evans (aka George Eliot) to the much younger John Cross, and the other that of contemporary sculptor Caroline Springold who is celebrating her 10th wedding anniversary. I found this a very satisfying book in the best sense–the sights and smells of this canal city played out against the shifting emotions of the two women.  In contrast, Ithaka is Saffian’s account of being found by her birth mother and the emotional toll of anxiety, angst and confusion it wrought before there was acceptance. This is a heartrending internal journey.

 

Photo credit:  www.classic-sailing.co/uk/destinations/fiji-sailing