Bingeing. When we are not happily engaged entertaining our granddaughters, we go to the movies. Some might say we binge. Yes, good films come to the Sarasota/Bradenton area, but not as quickly and not all of them. We are now well acquainted with several cinemas in the West Village and are not averse to settling for a hot dog as lunch before the first showing of the day. Here are several of the films we’ve seen so far. More to come.
La La Land. Going in, I knew that this film was being touted as a contender for Best Picture and that it was a musical. In the first 20 minutes or so, I thought, oh no, we’re in for two hours of fluff and the Chief Penguin will soon be snoozing. Not so! Yes, this movie is sort of a musical (the leads do burst into song at emotion-laden moments) and boy meets girl and gets girl (at least for awhile), but it is much more. Scenes of true-to-life conversation and conflict are interspersed along with creative visions of an alternate reality. That the setting is Los Angeles, Hollywood to be precise, only adds to the magic.
Ryan Gosling as Sebastian and Emma Stone as Mia are likable and believable 20-something adults, each aspiring to realize a dream; he to own his own jazz club and she to make it as an actress. I left last week’s performance of Guys and Dolls feeling happy and uplifted. While La La Land is a more nuanced work, I was both entertained and satisfied as it played out. Perhaps it’s a tad too long, but it’s fun on several levels.
Fences. If you know ahead of time that this was first a stage play, then you’ll be prepared for the static nature of this film. It’s probably the one weakness or drawback to it. The year is 1957, the setting is Pittsburgh, and it’s the depiction of one stressed and poor black family.
The acting is powerful, especially the lead performances. Denzel Washington is Troy Maxson, the illiterate, storytelling garbage collector who craves recognition for who and what he is, a husband and father who has a strong sense of responsibility. He also feels responsible for and possibly guilty over his brother Gabe, brain damaged in WWII. Viola Davis is his wife Rose, his staunch advocate and compass who seems to work as hard as he does, but with little appreciation from him of her unexpressed wishes and desires.
Troy’s sons, Lyons, 34, and Corey, 17, are sources of tension and conflict when Troy won’t accept that their needs and wants don’t dovetail with his. And when Troy doesn’t heed his best friend Bono’s wise advice and is promoted at work, he no longer sees Bono every day and the friendship languishes. (Note that Bono is played here by a black albino which confused me since I initially thought he might be white.)
Fences is the best known play in August Wilson’s Pittsburgh Cycle. The world is slowly changing for the better for blacks, but not enough that Troy can or will see it. Moving and messy as only human relationships can be, this is a film worth seeing.
Arrival. This is a strange movie. Science fiction which we don’t often go see, but more cerebral than one might expect. When twelve space ships containing aliens from somewhere else land around the world, one in Montana, linguistics professor and language expert Louise Banks, played by Amy Adams, is recruited to communicate with them. Their language is a graphic one, and Banks and Ian, a physicist played by Jeremy Renner, struggle together to make sense of who they are and why they have come to earth.
The scenes of Louise and Ian suiting up and making the journey into the black space egg and then communicating with the looming, long-armed heptapods in front of a glass wall are appropriately unnerving and even somewhat harrowing. Tension rises when several countries with similar craft threaten to use force against them. How the day is saved is an interesting twist.
Throughout the movie plays with time and how time is perceived. Louise is plagued by visions and memories of past events, or are they really past? The movie takes a short story by Ted Chiang, “Story of Your Life,” and expands its scope to create the international crisis. I didn’t fully understand what filmmaker Denis Villeneuve was doing until I read several articles including one in Verge. Telling would spoil the film for you, so I won’t. If your curiosity is piqued, see it.
DINING FIND
It’s easy and tempting to return again and again to just our favorite restaurants, but it’s better to not get into a rut and to try new restaurants. After yesterday’s film at the IFC on 6th Avenue, we glanced at the menu at Tertulia and then wandered in. We had enjoyed very much the food in Spain and thought this tapas plus place looked inviting. And it was.
Warmly lit with brick walls, a long bar and tables in front and an arched dining area farther back, it was just right for lunch on a cold day. We indulged in a glass of sherry (lots of choices here) and then tucked into ham croquettes, a plate of blistered shishito peppers, and some Iberico ham along side tomato bread. We were aiming for a light lunch and this turned out to be the right amount of food. We look forward to a return visit!
