Tidy Tidbits: Inside Diversions

WATCHINGCOMEDY, ADVENTURE, CRIME

Don’t Look Up (Netflix)

DiCaprio stocking up for a special dinner. (thewrap.com)

Don’t Look Up is both a funny film and a sobering one.  When a comet is on the horizon that will destroy the earth, the hapless president dithers and does little.  The scientists who have plotted its course are ignored and ridiculed.  The film is both a spoof and a satire targeting politicians, egocentric celebrities, and huckster entrepreneurs hawking worthless devices.  But despite its comic moments, it is a doomsday story.  

There’s an all-star cast with Leonardo DiCaprio as the lead scientist, Meryl Streep marvelously inept as the U.S. president, and Mark Rylance almost unbelievable as the tech giant, along with Jennifer Lawrence and Cate Blanchett.  It’s definitely a change of pace from some other recent film offerings.

Around the World in 80 Days (PBS Masterpiece)

Phileas Fogg and his companions (hollywoodreporter.com)

I saw the original film of Jules Verne’s adventure tale when I was about 8 years old.  It was one of the first movies I saw in the theater and going to see it was special.  

This new version of Around the World in 80 Days has a more diverse cast with a young woman, Miss Fix, as the accompanying reporter, and a Black man playing Passepartout, Phileas Fogg’s so-called valet.  They are an oddly mismatched lot with diverging aims, but they end up depending on one another for their wellbeing as they encounter riots, marauders, and collapsed bridges.

We are about halfway through the series and enjoying it.  David Tennant with his serious mien and upright, almost stiff bearing, makes the perfect Phileas.  There are 8 episodes in all.

The Commander (Amazon Prime)

Commander Clare Blake (hollywoodsoapbox.com)

This British crime drama is older (set in early 2000’s) and the technical quality is not that great, but it is diverting and suspenseful entertainment.  The series was developed by Lynda La Plante, author of crime novels and creator of Prime Suspect. Each case unfolds over two episodes and there are four seasons in all.

Amanda Burton plays Clare Blake, a high-ranking female commander in London overseeing a group of detectives.  The cases, usually involving murder, are gruesome and challenging. As a woman, Clare faces disrespect and outright hostility from some of the male officers on her team.  She makes some foolish errors of judgement in the early cases but learns from them and becomes smarter. 

Fans of Downton Abbey will be surprised to see a younger Hugh Bonneville as James Lampton, convicted for murder, and just released from prison.  

READINGWOMEN’S RIGHTS

Leaving Coy’s Hill by Katherine A. Sherbrooke

Lucy Stone (bostonathenaeum.org)

When the first history of the 19th century women’s rights movement was written by some of the principals, Lucy Stone got short shrift.  Consequently, for some time her contributions were overlooked.  Thirty years after her death, her daughter wrote a biography and recently, several others have been published.

Katherine Sherbrooke’s novel, Leaving Coy’s Hill, employs the device of Stone looking back over her life and telling her story to a much younger colleague.  Lucy Stone grew up on a farm in Massachusetts, the daughter of a staunch abolitionist father.  Early on, she vowed never to wed and to devote herself to the anti-slavery cause.  Working as a teacher, she saved enough money to go to college at Oberlin, one of the few institutions open to women.  After college, she began traveling around the states giving speeches against slavery.  It was hard life of little pay, spare accommodations, and no companions.  But Stone was a gifted orator and driven to succeed.  

Fortuitously, she became friends with Elizabeth Stanton and Susan B. Anthony. Although their approaches differed, the three championed women’s rights—the right to vote and changes to the laws governing marriage and property.  Stanton was already married with many children when she became active, Anthony never married, and ultimately, Lucy Stone did.  

Sherbrooke’s novel details Stone’s career successes and imagines the conflicts and challenges she faced in her marriage to Henry Blackwell, brother of doctors Elizabeth and Emily.  

Lucy attempts to balance love and a child with demanding career objectives, still an issue today.  I thoroughly enjoyed this historical novel, and it fleshed out for me additional aspects of the women’s rights movement.  Recommended!  (~JWFarrington)

Tidy Tidbits: Motherhood on Page & Screen

READING

Hamnet by Maggie O’Farrell

O’Farrell (irishtimes.com)

In Hamnet, O’Farrell has created the world of William Shakespeare’s son, Hamnet, at the time of the bubonic plague.  While 11-year-old Hamnet is present in the early chapters, he haunts the remainder of the novel after his death.  In many ways, the novel is a story of motherhood, marriage, and grief with a focus on the mother.  Agnes, Hamnet’s mother, is a creature of the woods, a skilled herbalist, yet unconventional and socially inept.  She chafes under her mother-in-law’s strictures, misses her husband whom she sent to London to get him away from his abusive father, and mightily grieves for her son, seeking and seeing him everywhere.  

The descriptions of the environs are so graphic one can easily picture town life in Stratford and life on the farm where Agnes grew up.  O’Farrell lists, annotates, categorizes, and catalogs the implements of home life and the branches, leaves and blossoms in the wood; at times, the writing is staccato-like.  It’s a beautifully written book about a horrible pandemic—timely and richly deserving of its several literary awards.  Highly recommended! (~JWFarrington)

WATCHING

The Lost Daughter (Netflix)

Colman as Leda (polygon.com)

I am not familiar with the novel by Elena Ferrante that inspired The Lost Daughter, but I’m a big admirer of Oliva Colman and would see her in almost anything.  Here, she is a comparative literature professor on a beach vacation in Greece.  Leda is alone and prepared to work, but she becomes fixated on watching a young mother, Nina, and Elena, her little girl, romp and play on the shore.  Leda exchanges brief pleasantries with Nina and her aunt and interacts with Lyle, the apartment caretaker, and Will, an engaging college student.  In flashbacks, she begins reflecting on her own experiences decades ago as an ambitious academic with two young daughters and a busy husband.  As she said to Nina earlier, “motherhood is a crushing responsibility.”

When Nina’s daughter goes missing, the extended family and friends fan out to search for her.  Leda finds Elena with her doll.  What happens afterward is puzzling and strange with an even stranger, more mystifying ending.  I wondered whether Leda was truly unbalanced and what state we find her in in the last scene.  

It’s a slowly paced film with sparse dialogue, yet the camera lingers on the physical:  limbs, breasts, and bodies. Colman is superb as 48-year old Leda while Jessie Buckley is marvelous as Leda, the young mother. The depiction of motherhood is both joyous and wrenching with greater emphasis on the demands of being a mother.  Painful to watch at points, this may be film fare for a more selective audience. (~JWFarrington)

DINING 

Whitney’s

Located on the northern end of Longboat Key, Whitney’s is a former gas station turned into a casual restaurant.  Seating includes tables on the gravel outside as well as booths and tables inside.  Open for lunch and dinner on a first come, first-served basis, it’s a welcome addition to the LBK dining options. 

A friend and I ate at a small round table outside.  Our waitress was friendly in the nicest way, and we enjoyed shrimp Louie and the mixed greens salad with tiny cubes of manchego and a choice of dressing and protein.  I opted for the salad with champagne vinaigrette and grilled shrimp.  Both dishes were excellent.  Whitney’s also serves burgers, fish tacos, crab cakes, tuna tartare, and other fish entrees.  Wine and beer are also available.  Several days a week there is live music, so you might want to plan accordingly.  

Note: Header drawing of a harried mother is from Time Magazine (time.com).

At Home: Bingeing on Film

Morning Movie Madness

Time is a gift and one we should cherish, even if that time is available because you aren’t where you wanted to be or doing what you intended to do.  Our holiday preparations were long since completed, and nearly all the Christmas cards mailed out so, we had free time for reading and watching new films.  Sometime ago, the Chief Penguin dubbed watching a movie at a time we wouldn’t normally (a bit like playing hooky), “Morning Movie Madness.”  This week we are indulging in some madness.  Here are comments on some recent films that you can stream at home.

Belfast (Apple TV $)

Buddy with his grandparents (mercurynews.com)

From the violent opening scene to the poignant ending, Belfast is simply excellent!  In some ways, it’s a simple story of a multi-generational Protestant family caught up in the Troubles in Northern Ireland in 1969.  In others, it’s a heartfelt account of a cosseted childhood in the bosom of grandparents and scads of cousins.  This family is one of a few Protestant ones on a one-block street of Catholics, but these folks know each other and mostly get along.  Ten-year old Buddy is the focus, and daily life is viewed through his perspective.  His father works away in England coming home every few weeks, his mother is the linchpin holding all together, and his grandparents provide solace, words of wisdom, and sometimes questionable advice. 

It’s Kenneth Branagh’s warmhearted paean to his hometown. The cast is wonderful with Jude Hill as captivating Buddy, Caitriona Bafe as his mother, Judi Dench as Granny, and Ciaran Hinds as Pop.  The soundtrack with music by Van Morrison is memorable, especially for anyone of that era. 

Tick, Tick… BOOM! (Netflix)

Jon at the diner (theatlantic.com)

Tick, Tick… is Lin Manuel-Miranda’s debut as a director, and the film is based on Jonathan Larson’s autobiographical musical.  Larson, played here by Andrew Garfield, won fame for his groundbreaking musical, Rent. Feeling pressured to have a success before 30, Larson at 29 is struggling and agonizing over composing the final song for a musical he’s writing.  In the process, he neglects his friends, puts off his loyal girlfriend, and wonders if he should be doing something other than working in a diner and not making any headway.  

Even though the Chief Penguin and I saw a very fine production of Rent, I was not familiar with Larson’s history.  Overall, the film is enjoyable light fare and perfect for a gray morning.

Spencer (Amazon Prime $)

Kristen Stewart as Diana (imbd.com)

If you’re looking to be entertained, this is probably not the film for you.  If you’re curious about this psychological fable or fairy tale about Princess Diana, then be prepared for grand settings, disturbing fantasies, and a lost princess.  Celebrating Christmas at Sandringham, Diana is distraught, seeing visions of Anne Boleyn, seeking to visit her childhood home, and sympathetically treated only by her dresser.  This is Diana untethered.  

It’s an often painful film to watch and yet still absorbing.  And, the ending may well surprise you—it did me.  I found Kristen Stewart believable as Diana. Prince Charles is played by Jack Farthing with a permanent sneer on his face, for me evoking memories of him as the evil George Warleggan in Poldark.

Tomorrow is Christmas Day. May it be a joyous and healthy holiday for all who celebrate. Merry Merry Christmas!

Note: The header photo is of my mother’s Christmas tree some years ago. She loved the color red and Christmas gave her another excuse to use it liberally.

Manhattan & Covid, Dec. 2021

MANHATTAN–THAT WAS THE WEEK THAT WAS

Full of optimism for being able to celebrate Christmas this year in person with our son and family, we flew to New York a week ago.  The first few days were lovely—spring-like temperatures hovering around 60, dining in favorite eateries, and spending time after school with our marvelous granddaughters.  As we watched the Covid-19 case numbers climb and observed the long, around-the-corner lines at Covid testing sites, we became a bit concerned.  

We stayed off the subway, we did not go to Rockefeller Center to see the always beautiful Christmas tree, and we did not get tickets for any museums.  Instead, we restricted ourselves to eating dinner indoors, often early, at our handful of favorite restaurants.  Going early, we avoided large numbers of diners and generally got great service.  One day we walked 60 plus blocks for exercise, and on another, we strolled in a lightly populated Central Park.  We were staying in comfortable digs, so reading and watching the occasional new film kept us occupied.  

Yesterday, that changed when a family member tested positive for Covid.  More concerned, and feeling vulnerable at our ages, we made the hard decision to leave town and return to Florida. Alas, it will be another Christmas shared via Zoom.  Perhaps 2022 will be better and next Christmas, we can once more celebrate in person!  In the meantime, we prize our current good health and will do what we can to preserve it. 

COMPELLING NEW FILM

The Power of the Dog (Netflix)

Peter, Phil, George, Rose (theplaylist.net)

Jane Campion’s new film has been getting a lot of attention and mostly praise.  Set in Montana in 1925, it’s the story of two brothers, Phil and George, and George’s new wife Rose and son Peter.  George is the owner of the ranch and seemingly ineffectual while Phil is “cowboy” personified and a mean cuss.  Phil berates his brother regularly, calling him “Fatso.”  When George marries Rose, Phil turns his venom on her and initially bullies medical student and aspiring surgeon Peter.  

Benedict Cumberbatch is brilliant with a commanding presence as Phil.  He seems to be the one in charge and in control of events.  Phil teaches Peter how to ride and makes him a rawhide rope in scenes with erotic undercurrents.  How the relations between these four characters play out is shown in acts like a play, and the ending will surprise you.  Only in retrospect did I appreciate the clues that were laid out from the beginning.  Peter is a much more complex individual than he appears as is Phil.  

The cinematography is gorgeous showcasing the wide-open spaces of the west and the smallness of one man against such a vast horizon.  I look forward to watching this film a second time.  Highly recommended!

NEW FICTION–SUCCESSOR TO THE MORLAND DYNASTY

The Secrets of Ashmore Castle by Cynthia Harrod-Eagles

Author Harrod-Eagles (goodreads.com)

For some of us, maybe Americans in particular, Harrod-Eagles’ long series, The Morland Dynasty, was a way to easily absorb the sweep of British history from the 15th to the 20th centuries.  I have read nearly all 35 novels about the successive generations of Morlands and found them fascinating.  That series seems to have ended in 1931, and now there is a first novel in a new series.

The Secrets of Ashmore Castle introduces the Tallant family and the sons and daughters of the late Earl of Stainton.  As the oldest son and the newest earl, Giles has a duty to marry and to marry well.  His father left the estate in disarray and in poor shape financially so Giles needs to find a rich bride. He meets Kitty Bayfield and her friend Nina Sanderton and becomes engaged to one of them.  The house and stable servants also have a role to play, think Upstairs Downstairs, and have dreams and aspirations of their own.  

This first novel covers the courtship and events leading up to and including Giles’ wedding from several different perspectives.  Harrod-Eagles has a keen eye for detail, and you get a real sense of the social niceties and rules governing behavior in 1900 Britain.  Recommended for fans of historical fiction. (~JWFarrington)

Note: Header photo is the Christmas tree at Rockefeller Center we didn’t see (people.com).