Tag: Frick Collection

Manhattan Finale: Frick & More

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FASCINATING FRICK
We made two visits to the Frick Collection and highly recommend two current exhibits. Unfortunately, there was no photography allowed. On our first visit, we discovered that Wednesday afternoons beginning at 2:00 pm, it’s pay what you wish, and the museum was packed. We took a brief tour around some of the Moroni exhibit and decided to return the next day in the morning.
Giovanni Battista Moroni is a lesser known Renaissance painter noted for his portraits of mostly wealthy and high-placed individuals. This is the first major exhibit of his work in the U.S. These people of means have great facial expressions, and he made wonderful use of shades of red and pink in their clothing with very finely detailed jewelry and ornamentation. There is one portrait of a tailor.

Elective Affinities: Edmund de Waal at the Frick Collection.
 Mr de Waal is a ceramist whose favorite medium is porcelain, but he is also attracted to working with steel and gold for his art. A longtime lover of the Frick, he has created a series of small sculptures in vitrines that are placed in front of specific paintings. Some of the works are white porcelain while others incorporate several shapes and thicknesses of black or gray steel. There is a short film showing the artist in his London studio and talking about what he’s trying to achieve in terms of light and form. I found it instructive to see the film before touring his work in the galleries. This exhibit runs into November, the first one closes soon.

What made our visit even more interesting was that a breakfast for press had just ended and I chatted very briefly with two of these individuals about the exhibit. It turns out we were present on opening day for de Waal. For those who don’t know it, you might want to check out his fascinating memoir cum history entitled, The Hare with Amber Eyes. I found it fascinating.

CLASSY DINER
 We had lunch at Three Guys on Madison, and we quickly decided it was the most pleasant, brightest and cleanest diner we’d eaten at. It’s a welcoming space with a mix of booths and tables and can easily accommodate groups. Several families with small children were in evidence and it’s obviously family friendly. Their menu is extensive with lots of breakfast fare, but also plenty of sandwiches, salads, and burgers.

We opted for a Reuben with fries and the tuna salad platter which came with a mound of cole slaw and some sliced tomatoes and cucumber and a hard boiled egg. The platter was a large portion (I didn’t finish it), but very good. The diner is located across the street from Met Breuer so would be a good destination after visiting their exhibits.

FABULOUS THEATER

We were able to squeeze in seeing Kiss Me Kate and are so glad we did.  What a fun, lively, energetic, performance it was!  Even with the understudy playing the lead role of Fred Graham/Petruchio, it was superb. Growing up, I was exposed to the LP record version of a much earlier performance which my folks had seen on Broadway in the 1940’s.  They played this record often, and consequently, I was familiar with the songs and knew most of the words.  The level of fitness and acrobatic skill required for the dancing, especially by Lois Lane and Bill Calhoun, was awe-inspiring.  There was some additional stage business and asides which made this a more contemporary “Kate.”  The song, “Tom, Dick or Harry” will never again be the same.  (~JWFarrington)

PRE-THEATER DINING

Nocello on W. 55, a block from the Roundabout Theatre, was an ideal place for an early dinner.  It appeared to have a regular clientele, even one family group, and not just tourists.  We had the nicest corner table on the lower level and were especially pleased with the fried artichokes and the chicken cutlet encrusted with Parmesan in a bit of lemon white wine broth.  

Artichokes

The Caesar salad was an acceptable rendition and the veal saltimbocca provided a slightly different variation on that classic.  The Chief Penguin sampled the nocello liqueur (made from walnuts and hazelnuts) and it was lovely, deeply smooth with a hint of sweetness.  The small plate of mini biscotti was just right.   We will remember this restaurant for another pre-theater meal.

Note: All contents and photos ©JWFarrington.

Manhattan Viewing

JWF 3 Comments

This blog post is all about seeing, and in Manhattan, there is so much to see–scenes of nature and water, famous art works, fabulous live theater, and even the occasional television program.   We had it all this week!

LIVE THEATER

Three Tall Women by Edward Albee (on Broadway)

Having the opportunity to see Glenda Jackson live on stage would have been reason enough to see this play.  I loved her performances in Sunday, Bloody Sunday, and as Elizabeth I in that early Masterpiece Theatre offering.  She then left the theater world for more than 20 years to serve in Parliament, only recently returning first to play King Lear (she always was an audacious actor) and then this role.

Jackson here is a crotchety, difficult, physically frail 91-year-old woman with a fulltime caregiver and a young lawyer.  These three women spar and verbally joust as A, the old woman, relives memories of her past.  Later we see that the three are the same woman at 26, 52, and 90+ years of age and, we hear how their experiences and their take on life shape what they become at each stage.  

It’s a powerful play about the ideals of youth, the disappointments along the way, marriage and infidelity, anger and bitterness, and the ravages of time and old age.  And it’s a superb production with a fabulous cast—Laurie Metcalf, of recent fame for her role as the mother in the film Lady Bird, and Alison Pill, a talented newcomer (to me)—join the inimitable and indomitable Glenda Jackson.  On a side note, I loved their purple and mauve dresses in the final scenes!

RETURN MUSEUM VISIT

It’s been some years since we last visited the Frick Collection and I’d forgotten how lovely an experience it is!  We began this visit by watching two videos, one on the museum’s collection of enamels (mildly interesting unless this is “your thing”), and the other, an introductory video about Henry Clay Frick, the man, and how he came to build this grand and glorious mansion.  It’s excellent and sets the stage nicely for viewing the art.

One room was built as a gallery and at 96 feet long and thirty-some feet wide, it’s an impressive space filled with oversize paintings and highly decorated furnishings.  In his collecting, Frick favored portraits and landscapes and there are several Turners and a number of Gainsboroughs, as well as works by Holbein, Van Dyke and Rembrandt.  He liked to pair paintings, individual portraits of a husband and wife either side by side or flanking another work or a fireplace. One example is the pairing by a fireplace of arch enemies Sir Thomas More and Oliver Cromwell, both painted by Holbein.

The soft green dining room  where Frick regularly hosted dinners for 26 (all men) is also pleasing, as is the room created solely for the purpose of displaying the 18thcentury Fragonard murals.

Except for in the Garden Court, no photography is allowed.  This enclosed space is serene and beautiful with marble benches and a fountain.  Perfect for when you need a break from all the marvelous art.

SMALL SCREEN

Unforgotten (Masterpiece Mystery).

This British detective series is thoughtful and not flashy.  Detective Chief Inspector Cassie Stuart and her team are tasked with determining the circumstances of death surrounding individuals whose bodies have been found unidentified and often forgotten.  Frequently, the death has occurred decades ago.  Cassie and Sunny (Sanjeev Bhaskar), her detective partner, must unearth family history, trace the individual’s travels and follow up in person with anyone and everyone with whom he might have been associated. If the death is suspicious, and indeed, they always are, then charges may be brought. 

Nicola Walker, the star, will be familiar to viewers of Last Tango in Halifax  while co-star Bhaskar was in Indian Summers.  Here Walker is the guv and the one with the responsibility for bringing a case to closure.  This is a series full of patient and methodical tracking and questioning as it delves into the psyches of both the deceased and his family.  I found it fascinating with the last episode extremely sensitive in its portrayal of the life-changing and lasting damage from sexual abuse.

Note:  Header photo view from Central Park and Garden Court photo ©JWFarrington.  Women photo from playbill.com and Unforgotten image from pbs.org.