Manhattan Moments: Addiction & Art

MASTER WORK

Empire of Pain:  The Secret History of the Sackler Dynasty by Patrick Radden Keefe

For anyone who’s read Radden Keefe’s book about the Irish Troubles, Say Nothing, you know him as a nonfiction writer who draws you in with meticulous detail and creates a novel-like reading experience.  His latest work, Empire of Pain, is equally meticulous and an absolutely fascinating study of the self-absorbed, greedy, and corrupt Sacklers.  How many museums or universities here and abroad have Sackler Wings?  The family was eager to put its name on and in buildings as a condition of its philanthropy.  But they were secretive to an extreme about not having the Sackler name appear anywhere in relation to their business ventures.  

The first hundred pages of this hefty work are the history and legacy of Arthur Sackler, older brother to Mortimer and Raymond, and the individual responsible for crafting the questionable marketing practices later adopted by Purdue Pharma.  Purdue Pharma, as is well known today, is the maker of Oxycontin and was controlled and micromanaged by the Sackler brothers and their children.  Their total denial of any connection between their product and addiction and their singular lack of any remorse for the opioid epidemic are appalling, as is the almost complete lack of any penalty for their actions.  

It’s a case study of a family living in their own bubble aided and abetted by a cadre of loyal staff and easily manipulated government officials.  Highly recommended!  (~JWFarrington)

WORKS OF ART

Museum of Modern Art

Fruit Dish, 1908-09, Pablo Picasso

This was our first visit to MoMA since they added on to their building in 2019.  We were pleased with the larger space and the chance to see more of the permanent collection on display.  We went during the members’ hour on Monday and had many of the galleries to ourselves.  We spent our time on the 5th floor and delighted in seeing familiar works (Monet’s huge water lilies in their own room) along with ones new to us.  I especially liked a Picasso still life in greens against brown, a bold flower-dominated canvas by Stettheimer, and a colorful lady in the park by August Macke.  The latter one really captivated me. 

Family Portrait, II, 1933 by Florine Stettheimer
Lady in a Park, 1914 by August Macke

Metropolitan Museum of Art

The Little Fourteen-Year-Old Dancer by Edgar Degas

There is so much to see at the Met that we went back for a second visit.  This time, we were interested in viewing the Impressionist collection and other works of that period.  I was struck by this striking bronze sculpture of a young dancer wearing a tutu made of cotton.

I also very much liked two ladies in pink by Berthe Morisot and Mary Cassatt.

The Pink Dress, c.a. 1870 by Berthe Morisot
The Cup of Tea, c.a. 1880-81 by Mary Cassatt

Central to these galleries are the marvelous paintings from the Annenberg Collection.  The Philadelphia Museum of Art had hoped to be the hometown beneficiary of Walter and Lenore Annenberg’s collecting, but alas for them, it was not to be.  Once loaned to the Met for six months each year, their collection then was given to the museum in a bequest.  

Bouquet of Sunflowers, 1881 by Claude Monet

Here is gallery after gallery of Renoirs, Cezannes, Manets, Monets, Pissarros, and Van Goghs.  They are a treat to behold!  And since we went first thing in the morning, the galleries were empty for for awhile. 

FOOD FARE

As I have mentioned before, our most frequent go-to place for dinner is the small French restaurant, Sel et Poivre.  It’s comfortable, quiet, with relaxed service, a nicely priced prix fixe menu, daily specials, and other tempting dishes.  Recently, we’ve made more selections from the main menu.  Here are two of them:  a white asparagus special and tomato and mozzarella salad.  Both appealing on the plate and both very good!

Note: All photos by JWFarrington. Header photo is a flower box near Rockefeller Center.

Manhattan Musing: Campy

Camp: Notes on Fashion

This year’s Fashion Institute exhibit at the Metropolitan Museum of Art is all about camp from the early days of dandyish gay men to its adoption by women in outlandish and outrageous gowns and shoes.

There’s low camp and high camp and camp that is somewhat subtle and that that is deliberate. This exhibit, with its rosy pink halls and its black gallery with mannequins in colorful light boxes, is exuberant, fun, and even silly. Everyone should find something to enjoy including in the background a recording of Judy Garland singing “Somewhere over the Rainbow.”

One man, a staff member perhaps, dressed in sweater and shoes to match the walls.

Is she dressed to emulate the lampshade? Probably.
Style a la Warhol




Genderless fashion
Enough said

One example of the light boxes
A particularly beautiful gown



Manhattan Meandering: Fashion & Food

AT THE MET

A good friend came into the city for the day and she and I were engrossed for several hours viewing two exhibits at the Metropolitan Museum of Art. It was a rainy Friday and the corridors were packed with people. Fortunately, the first exhibit hall was less crowded so we could get a close up view of the paintings. Vigee le Brun was a French artist who lived from before the French Revolution into the 1840’s. Initially dismissed because she was female, she became popular in her day and was portrait artist of choice for many royals including Marie Antoinette. After her death, her work seems to have been overlooked or ignored for many years. Certainly, she was unknown to me until this exhibit. Some of the portraits were really stunning and I also enjoyed seeing the several self-portraits she painted over the years.

The Costume Institute exhibit, Manus ex Machina: Fashion in an Age of Technology, was dense with museumgoers which made seeing the gowns occasionally challenging.  It is a fascinating study of the hand crafts (embroidery, pleating, beading, feathers, etc.) involved in the creation of haute couture over the years along with the use of the latest 3D printing to create nylon mesh and other unusual fabrics. Gowns by the Houses of Chanel, Dior, and Lagerfeld shared space with very edgy ones by the likes of Alexander McQueen and John Galliano.  The alcove spaces and the ethereal background music gave the whole experience a church-like feel. This exhibit runs until August and is definitely worth seeing.  For more info see The New York Timesreview article which also includes photos.2016-05-06 15.35.11

Flying Saucer Dress
Flying Saucer Dress

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FASHION IN FILM

Following on the fashion exhibit, we went to see Andrew Rossi’s new film, First Monday in May.  Note that Rossi also directed the compelling documentary, Page One: Inside the New York Times, about the challenges of staying relevant in the age of the Internet.  First Monday is a sumptuous, gorgeous look behind the scenes at the creation of the Met’s 2014 costume exhibit on China and the extravaganza of a gala that precedes the opening.  Stars here are Anna Wintour (her dresses and suits are almost as much fun to see as all the historical and contemporary gowns) and curator Andrew Bolton.  Running through the film is the idea that fashion equals art, and that it is only in recent times that fashion has been recognized and accepted as such. Visual treats!

 

DINING

Three new places for cozy dinners.

Café Loup on West 13th St. We sampled the chicken with tarragon and the fish and chips and were happy with both at this white-walled French bistro.  Also good were the mesclun salad and the house green salad.  It was crowded the night we were there with what looked to be lots of academics.2016-05-08 19.25.04

Doma na rohu.  A rustic German restaurant on 7th Ave with wood tables and an inviting bar.  Happy hour specials include the usual beer and wine and also pretzels with sausage and mustard.  Skip the veal schnitzel (dry and unadorned), but do tuck into the great sides—German potato salad, reminiscent of my grandmother’s version; very tasty browned spaetzle; and the so-called bowl of greens—a salad with cubes of beets, cherry tomatoes and a few slices of cucumber.

Trattoria Pesce Pasta.  On Bleecker Street, this is comfort food incarnate and perfect when you’re tuckered out from a long day—for us, said long day included a bus trip to Bethlehem and back.  We skipped salads and just enjoyed the sole with artichokes and sundried tomatoes (very saucy and not fancy) which hit the spot.   Sides were a choice of sautéed broccoli or spaghetti with red sauce. One of us was healthy and the other couldn’t resist the pasta which was surprisingly good!

 

All photos by JWFarrington (some rights reserved)

Header photo:  Jackson Square