Manhattan: Food, Art, & Drama

SPLURGE-WORTHY DINING

The Modern

In a delayed celebration of our anniversary, we dined at The Modern, the restaurant next to the Museum of Modern Art.  With a table by the window, we looked out at MoMA’s sculpture garden and December’s bare trees. Lunch was a three-course prix fixe. Everything was beautifully plated and delicious.  I opted for the cold lobster salad with citrus and burrata followed by sea bass with some agnolotti and then a cheese course. 

The Chief Penguin had hamachi over basil to start and then roast chicken on a sweet potato cake followed an elegant lime parfait.  Service was impeccable, and we enjoyed chatting with our young waitress.  This is a wonderful venue for special occasions!

MATISSE AND MORE

Hanging Out at MoMA

The other morning, we walked down to W. 53rd Street and spent a most pleasant hour exploring several exhibits.  We headed first to the 3rd floor for a look at Matisse’s Cut-Outs: A Celebration, works from late in his career.  These paper cutouts are amazing.  His paper “stained glass” window, Christmas Eve (Nuit de Noel) has vibrant colors, but the glass version he had crafted is most impressive and so luminous. 

Christmas Eve, Matisse, in glass

Also of note are the figures he did for his swimming pool.  Rather than add a swimming pool to his home, he created blue leggy figures and adhered them to a band of paper around the perimeter of his dining room.  The overall effect was feeling like being in the water.

The Swimming Pool, Matisse, 1962
Rothko, No. 16, 1958 (Black, Red, Brown)

Leaving Matisse behind, we looked at some works from the permanent collection from around the world.  I was struck by the muted intensity of Mark Rothko’s No. 16 (Red, Brown, and Black) and by the mysterious figures underlying Blue Composition, c.1966-68, by Ethiopian artist Alexander “Skunder” Boghossian.  There appears to be both a horse and the snout of an alligator or crocodile. 

And No Shade but His Shade by Sudanese artist Ibrahim El-Salahi is a compelling work all in browns including a man’s head with a bird perched on his scalp.

LIVE DRAMA

Left on Tenth (James Earl Jones Theatre)

I read Delia Ephron’s memoir, Left on Tenth, when it came out and was pleased when I saw that she was writing a script and working with Good Wife TV star Julianna Margulies.  The Chief Penguin and I went to the play and enjoyed it immensely.  The cast is small, just four people; Margulies and Peter Gallagher as the leads, two others who play cameo parts, and two dogs.  It is a story of newfound love, but it’s also about serious illness, specifically leukemia.  (A variety of that same disease took the life of Delia’s sister Nora.)

While one might expect this to be a depressing drama, it is not.  Yes, there are sad and tense moments, but there is joy and lightness.  The staging consists of a simple set, minor costume changes, and creative lighting and projection to change the mood or the season.  Margulies carries the work, projecting a full range of emotions, while Peter Francis James in brief roles as a friend, a gruff doctor, and a waiter adds a bit of humor and dance. 

Note: All photos ©JWFarrington (some rights reserved.) Header photo of trees for sale along 3rd Avenue.

Carolina Comments: Novel, Play & Dinner

In this post, I share my thoughts on Elizabeth Strout’s latest Maine novel, report on seeing a powerful and timely play, and share a tidbit about dinner at a very local eatery.

MAINE LIVES

Author Strout (spectator.co.uk)

Tell Me Everything by Elizabeth Strout

Sharing individual’s stories and lives through the seasons, Elizabeth Strout’s latest novel, Tell Me Everything, returns to Crosby, Maine, and a cast of familiar characters.  Olive Kittredge is now 90 and still crochety and direct, while novelist Lucy Barton is her friend and recipient of Olive’s tales.   Lucy lives with her ex-husband, William, but meets Bob Burgess regularly for long walks and talks.  

Attorney Bob still does some legal work and is married to his second wife, Margaret, pastor at the local church.  When Matt Beach’s mother, a former teacher and the butt of her students’ cutting humor, is murdered, Matt is the primary suspect. Bob Burgess takes the case and slowly unravels that family’s history and relationships.

While Olive, Lucy, and Bob are the central figures, their spouses, families, and friends are integral to the various stories being shared.  It’s a peek into smalltown life and a depiction of regret, grief, and love that almost everyone experiences to some degree.  

“Oh” seems to be Strout’s favorite word as it’s regularly voiced, “Oh, Bob, “oh, Lucy,” anytime someone is subdued, hurting, or unsure.  Despite its overuse, I still found things to like about this novel.  It isn’t my favorite Strout book but engaging enough to keep me reading.  (~JWFarrington)

THOUGHT-PROVOKING DRAMA

What the Constitution Means to Me (Playmakers Repertory Company, Chapel Hill)

Julie Gibson as Heidi (playmakersrep.org)

Heidi Schreck’s play, What the Constitution Means to Me, is a powerful piece of drama.  One might think, given its very relevant content, that it was just created.  In fact, it was first presented on Broadway in 2019 and was nominated for two Tony Awards.  It had runs across the country and was named Best Play of the Year by the New York Times, Los Angeles Times, and other publications.

Two characters dominate the first two-thirds of the play set in 1998, Heidi recreating her 15-year-old self and the Legionnaire who is MC of a contest about the U.S. Constitution.  What starts out as some factual questions on the specific sections of the document quickly devolves into Heidi’s reflections on the rights that are or are not granted to women, Blacks, and others.  She shifts into the present and digresses on the lives of her mother and her grandmother and their experiences of abusive men.  She then shares some of her own life choices.  

Later, both characters transition to the present, and there is a live debate between actress Julie Gibson and high school senior Amari Bullett.  The audience is encouraged to react to what’s being said, and one person is chosen to be the deciding judge. 

We found the opening 15 minutes setting up the contest to be drawn out and verging on tedious.  However, once Heidi got immersed in her family and how individuals’ rights are limited, we were fully engaged.  Playmakers is based at UNC, and performances run through November 3rd.  Well worth seeing!!

DINING OUT

Istanbul Restaurant & Cafe, Cary

Chicken shish kebab

Istanbul is literally right outside our door, and we had been meaning to try it.  We went for an early dinner and were very pleased.  I ordered the chicken shish kebab which came with bulghur and a mixed salad.  The Chief Penguin had the adana kebab (chopped lamb and beef with spices) which also was accompanied by bulghur and salad.  The portions were generous and tasty.  

We were tempted by the fried calamari but will try that appetizer on another visit.  While Istanbul does not have a liquor license, they were happy to provide glasses for wine.  Open for lunch and dinner and takeout seven days of the week.  Recommended! 

Note: All unattributed photos ©JWFarrington (some rights reserved.)

Carolina Capers: Watching at Home and on Stage

TV SERIES

Sisters in Conflict

Becca & Rosaline (pbs.org)

Maryland (PBS Passport)

When British sisters Becca and Rosaline get the call that their mother has died on the Isle of Man, they are both mystified and sad.  Why was she there so far from home and what was she doing?  On a journey of discovery, these very different people, Rosaline, an independent career woman, and Becca, a put-upon wife and mother, disagree and rub each other the wrong way as they struggle to parse out the strands of their mother’s life and better understand each other.  

I found the tension between the sisters and their disparate world views convincingly captured.  The sisters were well cast.   Seeing Stockard Channing as friend Kathy, she who played stalwart First Lady Abbey Bartlet in the The West Wing, was an added treat.  I found this 3-episode series engrossing and enjoyable.    

French Justice

Bellefond (PBS Passport & Prime Video)

Bellefond flanked by his students (entertainment-focus.com)

Prosecutor Antoine Bellefond is so stunned by a courtroom incident, that he takes a leave of absence.  When his niece in Provence calls him for help, he returns to his hometown where his brother-in-law has been accused of murder.  Along with three of his star law students, he takes up the case and works to prove Christophe’s innocence.  

Bellefond is a diffident yet caring individual whose placid façade occasionally lights up with a smile.  His and his students’ methods are unusual to irregular, and likely not always within the realm of the law.   I found it a different take on crime investigation mixed in with the students’ foibles and attractions, sometimes for one another.   In French with subtitles, the first season is just 2 standalone episodes.  Season 2, also 2 episodes, is not yet available.

RALEIGH THEATER

Justice Theater Project

Cabaret

The Justice Theater Project presents dramas about individuals affected by social injustice.  Their Cabaret, which the Chief Penguin and I had previously seen at the Asolo Theatre in Sarasota, was raw and intense.  Although set in Berlin during the rise of Nazism in 1929-30, it is timely viewing for today’s audiences.   

Sally Bowles & Kit Kat Klub dancers (asolorep.org)

Most of this company’s productions are presented on a small stage at the Umstead Park United Church of Christ.  The sets are minimal, and the sound system is basic, but the musicians and actors were passionate and fully engaged.  

I do think that the play itself spends too much time on introducing the Kit Kat Klub and the principals before it approaches the heart of the matter.  It was still a compelling performance, and Fraulein Schneider and Cliff Bradshaw were exceptionally well played characters.  Performances run through June 23rd.

Note: Header photo of TV screen courtesy of applicationsTV.

Tidy Tidbits: Medley of Viewing Options

SERIES ON TELEVISION

MEDICOS IN THE AUSTRALIAN OUTBACK

RFDS: Royal Flying Doctor Service (Prime Video)

Pete & Eliza (RottenTomatoes.com)

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If you like medical shows and unusual cases in remote locations, then you might enjoy this Australian series.  The main base is in Broken Hill in southeastern New South Wales.  Much of the area is desert. In a medical emergency, the most efficient way to reach patients is usually by plane.  The Royal Flying Doctor Service is a real organization still in existence today.  

This fictional series focuses on the pilots, doctors, and nurses who work in this challenging environment.  Chief among them are Dr. Wayne Yates, nurses Pete and Matty, new arrival Dr. Eliza Harrod, and pilots Mira and Graham.  Eliza has come from London (her marriage is breaking up) with her teenage son Henry.  Wayne and Mira are pretty much of a couple; Pete is single and likes attractive women; Graham is a bit crusty, but caring; Matty embarks on a drag career in his spare time; and ops manager Leonie is super effective.  Add in devastating crashes, conflicts and romance, and the result is an engaging, sometimes heart pounding series.  There are two seasons of eight episodes each and possibly a third one in the works. Recommended!

HAUTE COUTURE UNDER THE NAZIS

The New Look (Apple TV+)

Dior & Chanel (preview.ph)

This dramatic series set in 1940’s Paris focuses on the high fashion industry while France is under Nazi occupation.  Designers must decide if they will make dresses for the Nazi wives or if they will quit working and possibly not survive.  Coco Chanel closed her studio, but she played both sides in this war and both fraternized with various Nazis and worked to get her nephew Andre released from captivity.  She then became a person of interest.  

Christian Dior was just coming into his own and designed under the aegis of Lucien Lelong along with others. They did what they did to make a living.  Dior is the principal figure in this saga of danger, dresses, and determination.  Dior’s sister Catherine was a member of the Resistance and worrying about her fate consumes Dior.  At the same time, fashion is changing and a new group of designers, Dior, Balmain, and Cardin challenge Chanel’s precedence.  

Juliette Binoche is superb as the fidgety, demanding, yet caring Coco, and Ben Mendelsohn as Christian is hauntingly broody.   There will be ten episodes in all, and they are being released weekly on Wednesdays. Highly recommended! 

MOVIES:  TEACHER & STUDENT

The Holdovers (Prime Video, etc.)

Tully & Mr. Hunham (IMDb)

The role of the very strict, no nonsense history teacher, Paul Hunham, is perfectly captured by Paul Giamatti.  Left at school during the Christmas holidays as the lone chaperone for prep schoolboys not going home with their parents, Paul is challenged, harassed, and berated by the students.  One by one, even the stragglers leave, and Paul is left with just Tully, a smart troublemaker.  Tully, Paul, and Mary, the school cook who’s mourning the death of her soldier son in Vietnam, make a for an unlikely set of compatriots.  

This is a film that is both funny at points and poignant.  The Chief Penguin enjoyed it very much.  I thought it was good and did appreciate Giamatti’s performance.  

LIVE THEATER: CORSETS AND CLASS IN NYC

Intimate Apparel (Asolo)

Mr. Marks & Esther

Lynn Nottage’s play, Intimate Apparel, encompasses a full spectrum of friendship, romance, prejudice, anger, and forgiveness.  In Lower East Side Manhattan in 1905, Black seamstress Esther has made her own way and supported herself making fine underwear for ladies of all types for eighteen years.  Strong of character, she has always lived in Mrs. Van Buren’s boarding house and yet wishes for a man of her own, a husband.  But Esther is particular and won’t settle for just anyone, so when a laborer in Panama starts writing her letters, she has hopes that become high hopes.  

Although she doesn’t really approve of her friend Mayme’s business, the two help each other out.  Esther is even an available ear for Mrs. Dickson, her married white upper-class client.  What is more challenging is the relationship between Esther and Mr. Marks, the Jewish man from whom she purchases her fabrics.  How much can be said with just a silent glance or the barest touch.  

The play moves through a series of scenes, much like tableaus, with headings over top echoing the article of clothing key to that scene. The beginning seems long, but the early scenes are essential to developing the characters and providing context for the events to come.  It gathers depth and richness as it works to its climax.  And I’m still reflecting on it 24 hours later.  Highly recommended!  It runs through April 18.