Tidy Tidbits: Culture Notes

Not the Season But

You soon learn when you move here, that everyone refers to “the season.” The season runs from after Christmas through April and perhaps into May. It’s when the snowbirds fly south, all of the part-time residents are back, and the cultural season is in full swing. That said, although the season has not yet arrived, the pace has picked up, and there is a seemingly endless parade of local festivals and fairs, everything from chalk in Venice to blues in Bradenton. Recently, we enjoyed our first Sarasota Orchestra concert for 2015-16, the Sarasota Opera’s very fine production of “La Boheme” and the South Florida Museum’s annual Snooty Gala. Pianist Marc Andre Hamelin and the orchestra presented a memorable performance of Beethoven’s “Emperor” concerto along with two pieces by Shostakovich. An upcoming orchestra concert will feature violinist Leila Josefowicz whom we got to know during her years of study at the Curtis Institute.

On the Small Screen

These two TV series on PBS have ended or almost so, but I do think they are worth mentioning. In “Home Fires,” the focus is on the women in a small English town and their desire to help the war effort, but also on the rivalry for leadership of the Women’s Institute. Absorbing and convincing, it will immerse you in the daily lives of the villagers as tensions develop over the impending war.

The characters are many, the social and political alliances tangled and complex, and the accents sometimes thick, but “Indian Summers” is worth one’s time. Set in the early 1930’s at a summer retreat in the Himalayas, it depicts the waning power of the ruling British Colonials and the rising protest of the native classes. Both series are available on DVD.

On the Page

Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune by Bill Dedman and Paul Clark Newell, Jr.

Some of you may recall the stir that was caused when Ms. Clark died at age 104 in 2011, and it was discovered that she owned several sumptuous properties preserved, but not lived in for decades.  They included a chateau style house in Connecticut purchased as a safe house, but never furnished and never visited. Raised in luxury in elegant surroundings on Fifth Avenue, Huguette Clark ended up living the last twenty years in a small, spare hospital room.

While occasionally reading like a sales catalog of fancy goods and art, this is both a lively family history (the first quarter details her father’s creation of a business empire the equal of the Rockefellers and his colorful, questionable career as a U.S. senator) and a fascinating account of this eccentric, strange, and yet generous woman.  Most of the people who worked for her or advised her never met her and dealt with her through letters or phone calls or via the few trusted individuals in her employ. She purchased dolls and art for her own enjoyment while giving away millions of dollars to staff and friends. Dedman’s co-author is Ms. Clark’s grandson and the inclusion of his phone conversations with Huguette shows a more personal side to this very private, secretive woman.

 

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